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"How the Bowery Boys Amuse Themselves"

(Scene.--A Democratic Association.)
Great Copperhead Orator (foaming at the Mouth). "To Arms! to Arms! Let us resist the Laws, and crush the Lincoln Despotism!!"
First Citizen. "Bully for you! He's 'most as good as Forrest."
Second Citizen. "But he can't come up to Booth."

This Harper’s Weekly cartoon by John McLenan characterizes
speeches given by Peace Democrats during the Civil War as no more than
street theater.
During the Civil War, Northern Democrats were divided into two wings:
War Democrats who supported the Union military cause, although they
sometimes criticized specific policies of the Republican Lincoln
administration or Congress; and Peace Democrats who objected to the war
as a detriment to the economy and the Constitution, and therefore called
for a truce and negotiated settlement with the Confederacy. The term
"Copperhead" (from the snake of that name) referred to
Confederate sympathizers in the Union states, but was often applied to
Peace Democrats by Republicans who saw no ultimate distinction between
the two groups.
The Peace Democrats had done well in the 1862 fall elections in New
York, electing former mayor Fernando Wood to Congress and Horatio
Seymour as governor. The Peace Democrats were appalled when President
Lincoln carried through on his promise and issued the Emancipation
Proclamation on January 1, 1863, which they denounced in viciously
racist language. On February 6, they organized the Society for the
Diffusion of Political Knowledge, which published antiwar and
anti-emancipation pamphlets. Other groups, such as the Democratic Young
Men’s Association, organized rallies and meetings, where they
denounced the war, emancipation, blacks, Lincoln, and the Republicans in
terms of class and race warfare. They warned that the Lincoln
"dictatorship" was undermining civil liberties, and that the
freed slaves would move to New York to take the jobs of white
working-class men and marry their daughters.
In this cartoon, a "Copperhead" speaker from a Democratic
association passionately delivers an antiwar diatribe to an audience of
working-class men in the Bowery, located on the lower-east side of
Manhattan. The b’hoys (here, simply "boys") were a
distinctive part of the city’s youth culture in the
nineteenth-century. They were young, working-class bachelors (sometimes
immigrant Germans or Irish), identifiable by their attire (e.g., bright
colors, stovetop hats, flared trouser legs, and checked suits); their
swaggering, tough-guy attitude; and their habit of frequenting the
theaters, saloons, and brothels of the Bowery.
From about 1850 to 1875, the Bowery was the main theater district in
New York City. In this cartoon, the "citizens" amusingly
compare the Democratic orator to popular Shakespearean actors Edwin
Forrest and Edwin Booth (brother of John Wilkes Booth, who later
assassinated President Lincoln). Others in the crowd, though, are
clearly not amused: note the man on the right thumbing his nose at the
speaker, and the frowning man on the left, with his arms crossed.
The antiwar movement gained strength over the ensuing months, and
erupted in four days of bloody violence in July 1863 (known as the draft
riots) when officials tried to implement the new Union draft law. The
organization of the Peace Democrats, however, had also activated the
pro-Union forces, who established the Union League Club on February 24,
1863. Adopting the tactics of their antiwar rival, the Union League
distributed pro-war, pro-administration, pro-emancipation pamphlets and
organized mass rallies for the Union military cause.
For more information on the popularity of Shakespeare in
nineteenth-century America, see the archive for the cartoon of March
22,1890, p. 228, " The Art of Acting."
Robert C. Kennedy
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