This Harper's Weekly cartoon by Thomas Nast defends Chinese immigrants
against the fierce prejudice and discrimination which they faced in
late-nineteenth-century America.
With the increased suppression of the international slave trade in the
mid-nineteenth century, Latin American planters, particularly in the Caribbean,
turned to China for an alternative source of labor. The planters used loopholes
in treaties, fraud, and coercion to induce Chinese workers to immigrate to Latin
America. Some laborers signed contacts based on misleading promises, some
were kidnapped, some were victims of clan violence whose captors sold them to
labor brokers, while others sold themselves to pay off gambling debts.
The Chinese contract laborers (called "coolies") were often shipped
on American vessels. U. S. presidents from Pierce through Grant criticized
the practice in their annual messages to Congress. In 1862, Congress enacted the
Prohibition of Coolie Trade Act, which forbade American shippers’
participation in the illicit enterprise. By only allowing voluntary immigrants
from China, the United States essentially prohibited coolie immigration.
Nevertheless, the term "coolie" came to be applied broadly in the
United States to label most Chinese immigrant laborers. Despite a lack of
rights, these early Chinese immigrants were not coolies. They were voluntary
immigrants who made their own arrangements and paid their own passage. At most,
some borrowed money under the "ticket system" at high rates of
interest. The "coolie" stereotype, however, became fixed in the
American imagination and used by nativists seeking to stop the immigration of
those they considered to be unassimilable.
The Burlingame Treaty of 1868 allowed a free flow of immigration between
China and the United States, but the Chinese population in the United States,
located primarily on the West Coast, remained sparse. In 1870, less than
50,000 Chinese lived in California and less than 64,000 in the entire
country. The Chinese population in New York City was minuscule at the time
of this cartoon, and no Chinatown existed yet. Racial prejudice and
economic competition, however, roused intense and sometimes bloody reaction
against them.
The page referenced in the cartoon's caption discusses a recent bill proposed
in the New York state legislature by Democratic state senator William Tweed, the
notorious "boss" of Tammany Hall. The measure intended to
prohibit the state or any business contracting with the state from employing
"heathen Chinee" or coolie laborers. Violators could be fined
between $1000 and $5000, imprisoned from six months to a year, or both.
The Harper's Weekly article dismissed the purported "Chinese
invasion" as "altogether mythical," and argued that most
Americans "still adhere to the old Revolutionary doctrine that all men are
free and equal before the law, and possess certain inalienable rights
..." That sentiment is reflected in Nast's cartoon, where Columbia,
the feminine symbol of the United States, shields the dejected Chinese man
against a gang of thugs, whom she emphatically reminds that "America means
fair play for all men."
The armed mob includes stereotypes of an Irish American (second from right),
perhaps a German American (on the far right), and a "shoulder-hitter"
(far left), who enforced the will of urban politicians (like
Tweed) with threats or acts of violence. The imagery in the back alludes
to the Civil War draft riots of 1863, during which angry, largely Irish
American, mobs in New York City protested the Union draft and Lincoln's Emancipation Proclamation by
burning the Colored Orphan Asylum and lynching blacks. For years after,
Nast incorporated those images into his cartoons as symbols of the alleged
Irish-American and Democratic penchant for violence and mob rule.
On the wall (left) behind Columbia are plastered numerous slurs against the
Chinese immigrants, who are labeled as barbarian, heathen, pagan,
immoral, anti-family, and vile. Nineteenth-century newspapers often
referred to members of ethnic or racial minorities by an epithet, thereby
replacing individual identity with a collective term. Common names for Chinese
immigrants were "John Chinaman" (which appears here), "Ah
Sing," and variations of "Yellow Jack."
In the years following the publication of this cartoon, the anti-Chinese
movement became more vocal, violent, and successful. During the 1870s,
several measures were introduced into Congress to limit or prohibit Chinese
immigration. The 1876 Democratic platform condemned the "coolie-trade"
and "the incursions of a race not sprung from the same great parent stock
[as European Americans]." The 1876 Republican platform called on
Congress "to investigate the effects of the immigration and importation of
Mongolians on the moral and material interests of the country." In
1882, Congress passed the Chinese Exclusion Act which banned all Chinese
immigration to the United States for ten years (extended by subsequent laws) and
prohibited Chinese already resident in the United States from being American
citizens.
(For more information, visit HarpWeek’s Website on Chinese immigrants in
late-nineteenth century America.)